Reading Fashion as Age: Teenage Girls’ and Grown Women’s Accounts of Clothing as Body and Social Status

Ingun Grimstad Klepp and Ardis Storm-Mathisen

Abstract

If you don’t follow fashion, you wear, like, sorta childish clothes

(girl, aged thirteen)

I think about my age before wearing something that seems rather daring

(woman, aged forty-one)

This article discusses the similarities and differences in how women in two different stages of life describe the relationship between fashion and age. The analytical approach is basically discursive, based on Norwegian teenage girls’ and adult women’s verbal accounts of clothing and clothing practices in conversational interviews undertaken in the late 1990s.

Prevailing discourses as to what represents a breach of clothing conventions are to be found in the ways young girls and grown women talk about clothes. When clothes are used in accordance with conventions and norms, they are not noticed much. However, when clothes are used in a way that differs from the norm, this can attract attention and provoke reactions. By comparing narratives of clothing provided by respondents of the same sex and approximately the same class background but of different ages, we gain access to material that is particularly well suited to illustrate the significance of age in conventions governing clothing and fashion.

Click here to read the full article (tandfonline.com).

Farlige farger

Ingun Grimstad Klepp

Abstract

What is so dangerous about colours in women’s clothes? In this article the author is looking for answers in the book Skikk og bruk (etiquette), in ladies and fashion magazines dated 1999, and in interviews with women as well as in their piles of discarded clothing.
The author found that colours are considered dangerous because they break with the level-headed aesthetics of the middle class, and because they refer to gender in the wrong way. Economical and practical reasons, as well as the notion of colours as becoming, are used as arguments in favour of this self-inflicted asceticism.


Individualism and personal expression are applied as the mantra for dressing habits, and as a camouflage for disciplining. The claim that clothes should be suitable and if possible also reflect the bearers’ personality can be regarded as a dressing norm, and thereby as something which puts structuring above the individual.

This article is in Norwegian.

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