What’s the Problem? Odor-control and the Smell of Sweat in Sportswear

Ingun Grimstad Klepp, Madeline Buck, Kirsi Laitala & Marit Kjeldsberg

Abstract

Sport and fitness are increasing in popularity, and so is awareness of body odor. Both are aspects people wish to gain control over, as promised by the marketing of sportswear with odor-controlling properties. This article discusses how the heightened awareness of body odor has developed, and how unpleasant odor varies between textiles made of different materials. A sensory analysis by a consumer panel was used to evaluate the odor intensity of 13 different fabric samples taken mainly from sportswear.

The so-called odor-control textiles smelled less intense than similar polyester samples without such treatment. Wool and cotton smelled significantly less intense than both odor-control and polyester when the samples were sweaty or aired. After washing, the odor-control textiles had a level of odor intensity that was in between that of the cotton and woolen samples. The odor-control treatment reduced the smell, but not enough to make a difference on laundering frequency, and the textiles smelled still more strongly than wool.

Click here to read the full article (tandfonline.com)

Wool as an Heirloom: How Natural Fibres Can Reinvent Value in Terms of Money, Life-Span and Love

Ingun Grimstad Klepp, Tone Skårdal Tobiasson & Kirsi Laitala

Abstract

This paper addresses a main challenge for natural fibres; falling prices and increased focus on quantity versus quality. This is a challenge not only related to economic issues and profit, but is also unsustainable in an environmental perspective and in light of the challenges the textile sector and the world face. The paper uses wool as an example and in a surprising approach links the history and century-old traditions of natural fibers to an environmental thinking which supplements the traditional thinking around circular economy and LCA. Fabrics with a long life are the ones that have the lowest environmental impact (Fletcher and Tham2015; Laitala2014). Longevity or lifespan is a complex phenomenon in which both technical and social, or aesthetic aspects, are intertwined.

Click here to see the full paper in the book Advances in Science and Technology Towards Industrial Applications (springer.com)

Why Cotton as Linen? The Use of Wool in Beds in Norway

Ingun Grimstad Klepp, Tone Skårdal Tobiasson & Kirsi Laitala

Abstract

Cotton is the “natural” choice and the dominating material in bed linen and sleepwear in Norway as in many other European countries. Regulation of temperature and humidity are important for good sleep, but they are not cotton’s strong points. There must have been other than the functional reasons which made cotton the winner in the bedding market. This article builds on literature about bedding in Norway from the 1800s and survey questions from 1951. We ask the question: what materials have been used and why? Wool was used in all bed textiles, both closest to the body and the layers over and under, from the cheapest chopped rags to the most costly textiles. The decline was seen throughout the 1800 and 1900s, but only in the 1960s does wool become totally absent as a next to skin bed textile. The cheap imports of cotton made cottage industry and home production unprofitable and the new emphasis on cleanliness gave cotton a clear leverage.

Click here to read the full article (tandfonline.com)

Deviant bodies and suitable clothes

Ingun Grimstad Klepp and Mari Rysst

Abstract

Suitable clothes are clothes that make the body socially accepted. The theme of this article concerns what people with deviant bodies do when suitable clothes are difficult to find; clothes that make their bodies fit in in everyday social contexts. Based on interviews with Norwegian men and women, the focus is on those people who have bodies that deviate from the present Western bodily ideals of thinness, fitness and no deviances.

The article relates the interviews to research in two different fields: disability studies and fashion studies. A primary focus is on the relationship between acceptance of one’s own body—“making the best out of it,”—and respondents’ different strategies for coping with the situation. The final discussion addresses the relationship between the clothes market and deviant bodies. Focusing on a group of people with special problems related to clothes might bring forth new knowledge in general. In addition, a change in the status of the market may have positive effects for those already excluded from this market.

Click here to read the full article (tandfonline.com).

Environmentally Sustainable Textile Consumption—What Characterizes the Political Textile Consumers?

Marthe Hårvik Austgulen

Abstract

The textile and clothing industry is considered as one of the most polluting industries in the world. Still, the regulation of environmental hazards connected to the industry is very limited, and much responsibility is placed on the shoulders of consumers. One of the few ways that ordinary consumers can seek to influence the textile and clothing industry is through their own consumption practices and their wallet. This article departs from the discourse on sustainable consumption and the role of the consumer as an agent for change, and the article investigates the characteristics of the consumers who practice deliberate environmentally sustainable consumption of textiles and clothing. This is done through the lens of political consumption. Based on a cross-national survey conducted in five Western European countries, factors that have been found to predict general political consumption in previous research are tested on the field of textiles and clothing. The findings demonstrate both similarities and some discrepancies with previous studies of political consumption as well as significant country variations.

Click here to read the full article (springer.com).

Making Clothing Last: A Design Approach for Reducing the Environmental Impacts

Kirsi Laitala, Casper Boks & Ingun Grimstad Klepp

Abstract

This article discusses the extent it is possible to delay clothing disposal through improved design, thus reducing negative environmental impacts. This has been done by including user centered design methods into more traditional quantitative consumer research to give new insights for design. Empirical data on reasons for disposal of 620 clothing items from 35 persons in 16 Norwegian households was collected. In total, 70 different disposal reasons were registered, which were combined into seven main categories.

Changes in garments as well as size and fit issues dominated, while functional, situational, taste, and fashion related reasons were less common. The article concludes with design solutions on four levels related to the important disposal reasons including product design (material and shape), service design, and systems design, but also shows that consumer behaviour is crucial. In addition, the combination of results obtained with various qualitative and quantitative methods proved to be suitable for giving rich data that can be used to drive design research forward.

Click here to read the full article (oda.oslomet.no)

Clothing disposal habits and consequences for life cycle assessment (LCA)

Kirsi Laitala & Ingun Grimstad Klepp

Abstract

This chapter discusses the effects of end-of-life scenarios to the life cycle assessment (LCA) calculations. Consumers’ decisions in the disposal phase of clothing are crucial from an environmental point of view, as they affect the lifespan of clothing, as well as the potential for reuse and recycling. In doing this, examples of Norwegian consumers’ clothing use and disposal practices are used.

We will present statistics for the current situation in Norway as well as qualitative material on clothing disposal practices and discuss disposal methods and frequencies. Instead of assuming that all clothes are disposed of equally regardless of type of garment, person and place, the LCA analyses should be nuanced in relation to knowledge of disposal practices. Analysis also shows also that if improvements are made in facilitating reuse, clothing lifespans could easily be prolonged.

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His mother’s dress: growth in the number of clothes

Ingun Grimstad Klepp and Kirsi Laitala.

Introduction

Eivind Stø likes a tell an illustrative story about his mother who went through World War II with only one dress due to rationing. Today women have many dresses; more than we can wear out in 5 years. Since 1990, Norway’s clothing imports have almost doubled (Statistics Norway, 2014) and we did not lack clothing in 1990. This chapter discusses what we know about this change. What do we know about the number of clothes in use? When did they multiply to such an extent? What sources and methods do we have to describe this growth? In general, growth should be a more central theme in the environmental debate, especially when it comes to clothing and other items where growth in numbers is completely decoupled from a corresponding increase in satisfaction. As long as we produce (and purchase) far more clothes than we need, quantity should be an essential theme.

Lifecycle thinking has little relevance when the cycle ignores use. To put it another way, without knowing anything about the amount we can hardly reach a future where production matches our need to be warm and beautiful. Nevertheless, there are a few relevant studies of this growth. We will use previous investigations of clothing consumption in Norway, Sweden and the United Kingdom, as well as material from SIFO’s projects on clothing consumption, where we have attempted to approach an understanding of the number of clothes that people possess.

This article is from the book in The Consumer in Society – A Tribute to Eivind Stø, edited by P. Strandbakken and J. Gronow.

Patched, Louse-ridden, Tattered: Clean and Dirty Clothes

Ingun Grimstad Klepp

Abstract

“Patched, louse-ridden, tattered—clean, beautiful, gem.” As children we recited this rhyme in Norwegian: “Lappete, lusete, fillete—ren, pen, edelsten,” as we picked petal after petal from a daisy. All the words can be understood as descriptions of the child’s future clothes. Clean is the turning point in the rhyme. Clean is thus seen as the first step on the way towards the gem, and it conveys here the same meaning as in the saying “whole and clean is the greatest finery.” Both emphasize clean clothes as crucial to the judgment of a person’s appearance. In the world of fashion it has been alleged that “anything goes.” This is probably true if we restrict “anything” to small variations in the look, decor, color, and style of clothes. However, our way of dressing also depends on more absolute norms.

This article explores the norms that deal with the relationship between clean and dirty clothes. Despite the fact that there is abundant research on cleanliness and laundering on the one hand, and clothes and clothes habits on the other, there are few points of intersection between the two fields. The article is an attempt at seeing these two themes in conjunction. It investigates how clothes, by being kept clean, make bodies socially acceptable. The article looks at how the demand for cleanliness varies in relation to age, gender, and class, and compares these demands to what we know about decency.

Click here to read the full article (tandfonline.com)

Wool is a knitted fabric that itches, isn’t it?

Marie Hebrok and Ingun Grimstad Klepp

Abstract

In this article, we explore in what ways consumers’ preconceptions of wool influence their ability to recognize it as a fabric. Do we know that it is wool because it itches, or, conversely, does it itch because we think that it is wool? The analysis builds on three different methods; wardrobe studies, sample tests and interviews, in order to explore both informants’ visual senses, and also applied tactile senses. It aims to bring together social science and textile technology methodologies and understanding in order to understand the properties of wool. It does this through adopting a multisensory understanding of the material. The research aimed to explore the associations with and experiences of wearing wool. This, we argue is as important as the senses in the process of identifying woollen fibres. The research found that the strongest influences in fabric identification were: perceptions of use, fabric type and fibres, colour, structure patterns and the ‘feel’ of the fabric.

Click here to access the article (ingentaconnect.com).