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THE PLASTIC ELEPHANT: Overproduction and synthetic fibres in sustainable textile strategies

Forfattere: Ingun Grimstad Klepp, Lisbeth Løvbak Berg, Anna Schytte Sigaard, Tone Skårdal Tobiasson og Lea Gleisberg Sammendrag I denne rapporten undersøker vi nasjonale, internasjonale og bedriftsstrategier for bærekraftige tekstiler for å forstå om, og i… THE PLASTIC ELEPHANT: Overproduction and synthetic fibres in sustainable textile strategies

Stemmer fibermerkingen?

Vi sjekker merkelappen med Matoha FabriTell fiberskanner. Forfattere: Anna Schytte Sigaard, Ingun Grimstad Klepp og Tone Skårdal Tobiasson I prosjektet Wasted Textiles har en av utfordringene vært å identifisere hvilke fibre klær faktisk består av,… Stemmer fibermerkingen?

How to make sure Extended Producer Responsibility becomes a silver bullet

This is a letter sent to commissioners and members of the European Commission in October 2022, from 4 participants in the Wasted Textiles project that explains their suggestions for a way of developing an EPR scheme that addresses volumes. They suggest an Eco-modulation based on volumes in the waste and therefore include the growing online trade.

KRUS final report: Enhancing local value chains in Norway

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From its initiation in 2015 to the end in 2019, KRUS had two goals: to improve the market for and the value of Norwegian wool, and survey the opportunities for local production in a move towards a goal of sustainability in the fashion sector. On a larger scale, KRUS has looked at how we can re-establish an understanding of the connection between the raw material and the finished product within the textile industry and among consumers. It is critical to understand this connection, both to ensure quality products and to reach the market potential for Norwegian wool.

Opprinnelsesmerking av norsk ull

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Hensikten med denne rapporten er å undersøke mulighetene for en opprinnelsesmerking av norsk ull. Et slikt merke kan bidra til økt bevissthet og oppmerksomhet om norsk ull både blant produsenter og forbrukere, og dermed styrke produksjon og salg av lokal ull. Rapporten diskuterer en rekke argumenter for en merkeordning. Blant annet at et offisielt merke kan være et hjelpemiddel mot en til dels uryddig markedsføring av ull som vi ser i dag. Dessuten kan det fremme ulike kvaliteter ved norsk ull.
Rapporten bygger på ulike data inkludert intervjuer med aktører i verdikjeden og forbrukerundersøkelser. Erfaringer med merkeordninger fra andre land samt ulike mat-og miljømerkeordninger er også diskutert. Rapporten kan fungere som et kunnskapsgrunnlag for en eventuell etablering av en merkeordning, og den utreder ulike alternative ordninger, men uten å ta stilling til hvordan en merkeordning faktisk bør organiseres.

Wool as an Heirloom: How Natural Fibres Can Reinvent Value in Terms of Money, Life-Span and Love

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This paper addresses a main challenge for natural fibres; falling prices and increased focus on quantity versus quality. This is a challenge not only related to economic issues and profit, but is also unsustainable in an environmental perspective and in light of the challenges the textile sector and the world face. The paper uses wool as an example and in a surprising approach links the history and century-old traditions of natural fibers to an environmental thinking which supplements the traditional thinking around circular economy and LCA. Fabrics with a long life are the ones that have the lowest environmental impact (Fletcher and Tham2015; Laitala2014). Longevity or lifespan is a complex phenomenon in which both technical and social, or aesthetic aspects, are intertwined.

Why Cotton as Linen? The Use of Wool in Beds in Norway

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Cotton is the “natural” choice and the dominating material in bed linen and sleepwear in Norway as in many other European countries. Regulation of temperature and humidity are important for good sleep, but they are not cotton’s strong points. There must have been other than the functional reasons which made cotton the winner in the bedding market. This article builds on literature about bedding in Norway from the 1800s and survey questions from 1951. We ask the question: what materials have been used and why? Wool was used in all bed textiles, both closest to the body and the layers over and under, from the cheapest chopped rags to the most costly textiles. The decline was seen throughout the 1800 and 1900s, but only in the 1960s does wool become totally absent as a next to skin bed textile. The cheap imports of cotton made cottage industry and home production unprofitable and the new emphasis on cleanliness gave cotton a clear leverage.